Allier Zelaya:

Good acting. When he says fat and insecure he seems to be going from the same pose to the same one. You might want to have a different pose for insecure.

Luc Degardin:

Nice animation, but the first movement seems inappropriate compair to the main feeling of the character

Renaud Déchaux:

Very nice animation, I like it!!
But i'm not sure about few poses, like "fat", and the lipsync are maybe little too late. But very good animation once again, the characters move very good!

Cuby:

Absolutely awesome! The facial expressions and changes are excellent, and the poses are lively. Only thing I find mildly distracting would be the steps he takes towards the camera. I just find them a bit too much and repetitive.

Great stuff!

Mariya Kalachova:

Great character! nice emotion :)

Aaron Clement:

I like the faint at the end... nice snappy timing.

Johnny Castuciano:

this is really good, but if he was really "fat", I don't think he would be so graceful in the beginning, bit overall really good!

Gregory Naud:

Great acting. I like the way the emotion is growing in intensity. Good job

benj:

lol
I don t know why he s passing out but his face is really fun +1star just for that

Marcos Borba Moreira:

the beginning is a little bit confusing. nice animation though, loved the final part

Jeroen Koffeman:

Very good. A convincing caracter. I would put the folded hands at the word 'once' earlier, at 'adorable'. 'Adorable' is the strongest word in the phrase 'I was adorable once'. So it would seem logical if you put the folded hands at that word. Just al little detail tough

Christopher Alarcon:

The expression at the beginning was a bit over the top to the "i was adorable once" but the rest was good. I want to see who said the second verse but overall the animation was good.

Lineboy

Michael Cawood:

An excellent performance. But it's a shame he spends so much time looking down. It would have been even better if he glanced at the other person occasionally. That would have given more meaning to him looking down, as he'd have appeared to be averting his eyes from someone then.

Charles Eubanks:

This is really good! Great body performance and poses. The character has a real sense of weight, which is great. If I had to pick one thing to improve, I'd say work on tightening up the lip synch. Also (and this is being picky, I know), I don't see expressions of sorrow or disgust on his face, which I think could have made the performance carry more emotional impact. But overall, you did a great job! Definitely one of the best I've seen so far.

John Vassallo:

Needs some polishing, but nice work

Sunny Kharbanda:

Nice finessing and smoothness! Some good poses too. I think the "adorable" pose is too cliche.. a stock gesture, as they say. And why does he collapse at the end? We don't really see any reason for him to do that.

Nathan Ebbing:

I love his initial prance into scene and the fact that he moves about his environment. When he points at himself at 82, the gesture just feels like it comes a tad late. Also the pass out at the end isn't doing much, its "funny" but feels entirely out of place. Really did enjoy it otherwise though! Good job.

jonathan topf:

More face articulation

Dan Dulberger:

Wow, what a drama queen. Like Jack on the Will and Grace show.

Craig Perez:

Watch out for twin'n Fr76/89/204..asymmetry is always more interesting . I like pose at 245...overall great work, but seems like it has just 1 or 2 to many poses Keep it up

Daniel Luke:

Really great. I just didn't think he was girly enough when he screamed.

Rob:

Good effort. I feel he's bouncing too much, it's distracting and taking away from reading both his facial expressions and his overall body language. I also feel the pose fo "adorable" is a bit too cliche... while it says what he's saying, it comes off as false because it's such a cliched pose. Remember that the body language should act as a subtext to the dialogue, not necessarily mirror what he's saying. The body, in essence, you tell you what he's NOT saying, but what he's really feeling.

andrew s:

Not bad, needs a little work on timing, some gestures were far too broad..

Danny Young:

Very nice!

Taber Dunipace:

I can tell you know your stuff. Good animation principals, very well articulated motions (except the faint I think).

My only problem with this is that it seems very staged and "show offy", as if this is a drama teacher giving an example of how to act while in a play. Seems un-genuine I suppose. But that's just me being picky, very nice work otherwise.

Spencer Jones:

I think some actions/poses could have possibly come just a little sooner. Like F84 "me" the hands could have pressed against his chest bit earlier. Was really good though and liked the staging and way the character moved about the camera frame. I think my fav this month. Liked the little touches like the inbetween on F234

Stephan Hempel:

That's good. I like the overall performance. The hand gestures for "now", "short" and "fat" could be stronger. The poses on 251 and 37 are really great.

Himanshu Sharma:

I think you got most of the animation principles right to make this test work on a physical level. But from an acting standpoint I think you have too many poses. there's almost a new pose on every accent.

Dave Blanchette:

Pretty good! The focus on (the first) "short" is on his hand, but the gesture is a little unclear.

Andrew Linke:

could use a little work on the lip synching other wise i like it very fluid.

Renn:

Some of the pacing is slightly different between the opening and closing of this clip. He's quite spritely and energetic during the opening line, but by the time he's wrapping up his spiel, he's on the opposite end of the scale, moving slower and more heavily. A more consistent rate of movement is the only suggestion I can make to improve this.

Outstanding animation all over! Nice faint at the end too...