Moe Zart Surprise

Final Rating: 4.66. Finished: 51 out of 148 entries.
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Animator: Julien Abenhaim

Description: Music composer finds out about what the director did. He is in his modern studio when he learns.

Experience: 1 Year

Time taken: 30 hours here and there

Comments:

(Commenting only available during the rating period)

Arindam:

ok

Greg Wark:

Remove/delay cellphone grab at end, it seems unnatural while speaking the line

Steve C:

I like this one a lot. The knee movement under the table looks great and adds to his frustration. Great work on it. And the 'Moe Zart' is awesome.

Ryan Lowe:

The cell phone isn't necessary. It's strange... otherwise good motion. I like the final piece in your reel better however. It doesn't need the paper toss at the beginning. A little repetitive with the head shake as well.

Lianna Scrimger:

I'd lose the cellphone at the end, it feels pretty contrived.

Ismael Ontiveros:

excellent job, but i think that the phone its out of line, its a secondary animation that you dont want in this particular moment

Louis Ng:

The expression at the end when he brought up the phone seems a bit. . .expressionless . ..

I like how u interpret the 'sigh' at the beginning as a shove of the paper.

BrunoDestefani:

Nice poses and timing, but the scene is too dark, and too far away. Why does he answer a cell phone at the end?

Jason Smith:

Moe Zart.... great!

Emmanuel:

I don't get the ending why he has a cell phone.

Paul Robbins:

Really nice idea with the bouncing leg. It did a good job of showing his angst. It matched the tone of the clip well.

Joaquin Bello:

you have some great moments, but the phone its a bit distracting

Richard Bannister:

Unfortunately I think the phone at the end spoils a potentially good piece.

Jean-Luc Delhougne:

You nailed some movements very well, like the stressful foot tapping or the phone shaking... Nice ;)

Enrico Fioretti:

"Moe Zart" so funny!!!

Erik Westlund:

Dark setting obscures character silhouette a little, as does the placement of the window frame running down his line of action.