Nick Malutama:

Seems like u didn't finish this one. Would have liked to see it polished.

Sean Thorpe:

Moving holds get kinda floaty. Sync feels off... Good job though. I think that many of your poses are truthful.

rob eddy:

good stuff, really like when he's getting up from chair, hands on the desk. towards the end of that he starts to look like he's floating though. his right arm pops straight, maybe end his rise right before the right arm straightens. good ending too

Salvador García Luque:

the animation has very fast, but not fluid

Martin Silfvast:

It seems to me that the character doesn't really know what he wants. He kind build up tension towards 'todas' and then he kinda space out and forgets about it and then suddenly he snaps right back into it.
To me it throws off the pace of the animation. The build up kinda goes away.

Spencer Barber:

Some of the transitions between poses went way too fast, but the poses were good.

Brad Regier:

i like the pose at the end.
Kinda spliny in places still.
Nice work!

Vinod Kanna. K:

good effort.... ending is very nice...

David Higgins:

Quite good but the mouth is lagging a little behind the dialogue

Mark Persson:

Nice!!! Good character, good movement. most of It needs more polish and some movement more smoothen out.

Curtis:

103-151 seems very floaty. and weightless particularly near the end of it when the characters shoulders lock.. I think if you hit the pose a little quick and stretch out the settle instead it would give him some more weight.

it would be nice to see a little more follow through and settle on some of the quick moverments. particularly the head and the arms.

Frame 213 feels like it would work better if it was sooner.

Andrew:

what's he standing on?

Ashley Stringer:

never nice poses, nice and dynamic.

well done

Matt Kelly:

the todas pose is pretty weak.. lost the first move back into the chair or polish it up

David Shum:

I think you have alot of great ideas in this shot. Framing, acting, and contrast.

Only wish you had more time to clean up the curves! The drifting, and popping is really distracting the audience attention, away from the performance!

Alonso Soriano:

eh, here's mine
not dynamic enough, doesn't pull me in

Michael Carter:

watch out for the elbow popping at 140...

Mark Wheeler:

The timing into the last pose is too fast. Try adding an anticipation into his large swoop motion, and add some frames between the pose to pose.

Alicia Reece:

On 177 the eye shift in one frame. I really liked the animation but this stuck out to me.

Sunny Kharbanda:

I like what you're trying to do in the beginning. Although it isn't working as well as it could -- You're trying to make the character go through a couple of emotional transitions before he starts speaking, but the effect I get is that his entire personality changed!
I think it could be that the facial expressions in the beginning are generic, and don't fit the personality of the voice we are to hear.

Richard Clark:

Your facial expressions are letting you down. His body is saying one thing and is face/eyes are saying another.

Andy Bewernick:

His arms are doing funny things.