Nathaniel Villanueva:

pretty good poses, not too out there. one thing as that both arms move pretty much at the same time. try varying the timing of those and i think itll look much better.

Tyler Phillips:

I'd like to see more movement with her head. Also, "I could give into this" part looked a little strange.

Chris Welsby:

there are some good things in this one

Max Herzfeld:

Talking to the floor,
Too much swing to the body, and
The lip sync's just a bit off.
Those are my biggest critiques.

Overall good job, I really like the finishing look, something in the eyes.

Keep it up,
Max

Cole Higgins:

theres too much movement with the dialogue. She is hitting poses only because the dialogue has changes. Though a person doesnt actg that way. Animate from the inside out. What is she thinking? good effort though.

Michael Li:

I really like the gestures, but her face looked a bit static.

Aaron Clement:

She really came to life when she was still at the end... watch the twinning, though.

Roger Feron:

Remember to offset the hands from each other.

Jamal D. Owens:

Timing is the main issue and maybe the lip sync. But, outside of that, good job. Keep up the god work.

garvey harris:

brilliant actingtill she got to mentioning the other person then she just swtiched off, why? - when I used to go to acting classes a suggestion I made that made a lot of sense was that if you were on a bus or a in car and passing by and saw the character acting out the part, without hearing what was being said, how much of the expression and body language tells you what is going on?

I think the key here is resisting, and accusing the other character that they also had a moment of weakness, so far I'm not seeing that being expressed enough

praveen:

i could not play the animation

Ezra Allen:

Shes leaning too far forwards at times. Try having her lean back away from the camera as well this will give you more emphasis when she does lean forwards.

Brandon Ayers:

Nice!! Really great body language!

Daniel Yuhlmann:

Her eyes might need a little more of that emotional exhaustion the body is expressing, dont’t you think?

Mike Courtney:

Good overall, would have liked to see at least some shifting of weight after she dropped her hands. She almost becomes like a hanging rag doll after "resist it".

miles southan:

Not bad! The walk in is stiff though. You need to get some rotation on the hips and chest. The timing on your arm gestures are prety twinned. I dont think you need that camera cut. It seems like it's just there to show that you animated the walk. I think it would be better if you stuck more to an angle like the second shot but give her a little more head room.

Simon Bean:

good effort

Renzo Biffa E.:

it needs a little bit more of improvement in the lip-sync and, she is talking to a reference point (A) and turn her eyes around to point(B) like she were loking at someone who entered to the room or something like that.see frames 34 to 42.

Victor Wong:

Maybe a little more facial expression would help. Both lip sync and movements are good.

Phillip Moon:

Too much time with the head down and the facial acting needs a bit more work.

Taber Dunipace:

This is one of the more believable performances I've seen yet. The camera cut is a bit odd, firstly because it's unnecessary and secondly because it makes the arm movements difficult to read in the confined space. Her face is also hard to follow, as the expressions are a bit too bland. A well done piece overall.

Virgil Mihailescu:

strangely similar to the original here and there...

Gregory Marlow:

thats pretty good

Curtis Hunt:

Love the change of mood at the end.

Robert Tighe:

Nice timing. The poses could have been pushed. Nice job.

Bilal Ahmad:

nice effort!