Michael Launder:

good job holding your key poses! now work on your spacing in between, slow ins and slow outs let there be fast motion while easing in and easing out so it feels organic, Also with lip synchs work on your ups and downs first. if you nail ups and downs and then the wides and narrows of the lips your lip synch will skyrocket in quality. after those two things you'll be really close! put your hand underneath your chin and say the words in the shot. you'll be able to count how often your chin hits your hand and that can give you your timing and number of openings that the mouth will do!

Eddie Mendez:

you should definitly move the fingers some, they stay in one pose for the whole animation. also fix the arms and hands since they go through the legs. also the lip sync is a bit off

David Alin:

An animation with penetrations is not presentable.

Sarah Johnson:

Someone help this lady out of the wall!

Bryan Stone:

Animation need a lot of work!