Ashwani:

just watch female starting waeight shifting. over all very nice

Andy Hass:

funny idea

Sako Mahamadou:

Nice idea

Traci Plagmann:

You have a nice sense of timing on the gestures.

David Higgins:

Although the animation was good, the staging made the male character dominate and distracted from the female right up to the end.

Raasi N:

In the end the acting of girl could have been pushed farther.

venkatesh:

starting walking is not good some much fine

Lavendra Love:

good act play nice try with characters; have too much space for more work

Dhiraj:

I like his facial expression in the first half

Alex:

hahaha... nice touch at end!!

Jonathan Asselin:

I find it too violent, sorry. Good animation though! :D

Olivier Ladeuix:

not a big fan of the acting

Fernando Porcel:

I like the first part, but think the finale dont match with the dialog intention. Only a comment. Nice work. Cheers!

João Victor Almeida de Aguiar:

Wow! Realy nice animation, Super Aswome!
I only don't like the girl at start, when she stay looking for all place

Angelo Sta. Catalina:

haha.. funny one..

Pete Shand:

the hips are looking a bit dead / not moving properly with the body

Curtis:

Hey nice work!

Timing on the gun grab could be a little sooner. But I understand there was little time. Perhaps if he also finds the gun a little sooner too. If we see the gun a little earlier you can give her the few extra frames you need to sell the anticipation.

Andre de Villiers:

When he's pointing the GUN at her, needs some subtle movement to keep him looking alive. Anyway, what's the deal with all the guns and knives this month?

Mike Courtney:

good work

Omri Navot:

good animation, esp on the bodies. You could push the facial expressions a lot to help tell the story

natalie:

These two make a fine couple. Their actions and reactions got my ”bravo!” on this one.

Kenny Roy:

I am not totally against framing this shot the way you have, but it takes much more control of the audiences eye to play well; use variation in the size of the gestures to keep the eye interested in staying on the BG character.

Ben Hatton:

When te guy is turning around, he doesn't seem to have any way to push himself over - his arm is straight before the movement, so no chance of pushing with that.