Chris Sullivan:

AWESOME!!!!!!

Tottiperrota:

wow , really goood!

Michael Cawood:

Very good. The hands are a little slow in places and don't quite nail the confident performance you you're aiaming for. But it's very close. She definately needs some more eye work, trying to keep them darting around to show her thought process and avoiding a long commitment to looking at the guy.

C. Ben Snell:

Good start. Face movement was nice, but the hands could move more naturally.

Barnabas Boehler:

Good work!

Alejandro Rodriguez:

Really good performance...I love the hands and the eyes. My only comment is on the root around 256 til the end. It goes a bit dead. I'd take another stab at that if you want.

Cameron Huber:

I really like this one! It's a shame that we didn't get to see the guy... but I think a lot of your acting choices for the woman are working well... even if they aren't pushed super far. Her timing feels pretty good and the poses don't float between each other too much so it's easy to read the beats of the dialogue. Be careful of the jiggles at 215 or so... the hands feel a little linear at this point and I think I saw a jiggle in the spine. Other than that, really nice job! Now just animate the other guy hehe :D

David Higgins:

Body action was good but the facial expression was not quite there.

Ken Rice:

Nice animation - is your character's right shoulder raised for most of the animation?

Julien Abenhaim:

Very good job, loved the finger animations, looked fluid and believable. great acting, keep it up!

Mariah:

This is nice. Good expressions on her face. It's just too bad you had to leave him out of it.

Ashwani:

great effort man but where is the male?

Lavendra Love:

last is not impressive face expressions are same all the time

Raasi N:

Like the subtle animation of hands very much.Somehow you have gotten the sadness in the girls eyes very neatly.
Good Luck and this entry is on my favorite list.

Jon Mummery:

You have managed to capture some lovely details in her movements, very subtle yet powerful. There are a couple of little pops and clicks with her arm movements for me, but overall I really like the feel of this piece. Good luck!

Simon Bean:

nice :D

Jonathan Asselin:

Great job!!
I would've liked to see a second character though! Very nice hand animation here! Keep it up! :)

Alex:

beautiful... would love if you shared your sketches/info of how you planned such subtle acting.

Brian Bredehoeft:

Very well done.

Stephen Dahler:

nice work!!

Chris Burel:

The bit where she wipes her eyes is really nice. I love how loose the fingers are there around frames 265-285.

Curtis:

nice work! on "Nice to me" She gets a little jumpy. Needs a little smoothing here. And her hips are a little static through out. All movements fire from the hips!

Great work! Keep it up!

Andre de Villiers:

Good stuff! Nice subtle animation on the fingers. The crying pose doesn't look convincing though. Curves need a little bit of smoothing around "..very nice..". Overall, a very nice piece!

Mike Courtney:

work out what the character's thinking so the timing of the actions and script match up better

Daniel Huertas:

you need another pass of polishing on the spine and loose the hips up.. but the animation overal is great! :) good job

Tim Lobes:

Good but face needs more expression (could be rig limitation though)

Kenny Roy:

Nicely done. A little repetitious with the gestures, so some exploration on that end would help.

Matthew Tardiff:

It feels too much like floaty motion capture. I think it was a good idea to keep it subtle

DINJITH:

nice animation...hand gestures r too good..
keep it up..

Ben Harper:

Theres some nice subtle acting here. I think you have achieved a good balance overall with the animation, but it just seems to be lacking something..

Tim W:

Very nice acting choices

Andy Hass:

Nice job. Here's a random question - can you increase the pupil size on this rig? I think if her pupils were bigger, she'd be more appealing and feel more life-like.

Kent Wong:

not bad..

natalie:

Good acting.

chloé:

Excellent !

Ben Hatton:

Great interpretation of the nuances in the audio.