Dan Dulberger:

Motion is abit too smooth to be realistic. Needs to be more snappy. Other than that very nice.

Kai Huai:

The initial part was kinda stiff.Likes the brushing hair.

Clayton Miller:

Pushing the face expressions would help a lot.

Deanna Bishop:

Good work. Great acting. Camera cuts are distracting and disorientating.

Chris Caufield:

nice animation but lacks facial expression

Shahbaaz Shah:

Great acting, very believable. ON first arm gesture she bring her arm down too fast. I would say keep the arm on her shoulder on "no wish to live" and let the other girl go into the hug with her. Right now it looks like she's thrown off by her gesture. Looking really good though!

Anthony Travieso:

I really like the embrace at the end.

Eric Luhta:

The cuts both happen at awkward times, be careful of that. Good start overall, but the staging and timing need work too. It's all kind of similar timing-wise. I think the hug and second character are a good idea (original too) but need more fleshing out.

Lauren Wells:

This feels sincere to me, just still a little floaty.

Dwarakanath Jnaneswar Ekkirala:

stronger head accents on "Town" and "Life" would add so much to this piece. But good work overall.

Florent Perrin:

Perhaps you could try to find a way to reduce the kind of rigid feeling...

Ryan King:

The one thing that grabs my attention is her right hand coming up. she looks at it then quickly throws it down. She could just do that with the other arm she brings up. There is also no real emotion shown on the face. The animation is smooth though.

Aaron Clement:

Great ending. Things move at the same time... could push the facials a little more... One of the better ones.

Gregory Marlow:

not bad animation. for some reason I don't believe the performance. May just be a limitation of this rig. In all honesty I haven't seen any animations using this rig that were very convincing. I would consider using a different one. Your work looks structurally sound though.

Traci Plagmann:

The acting ideas and gestures are good. The motion stops and starts at the same time making it look a little mechanical.

Alonso Soriano:

not a lot of texture in her movements, everything's about the same speed, without slow's or favors. Decent keep alive on the girl in green, but move her root a bit more so she's not just alive from the upper torso up. Pink seems to have been waiting for the director to say action before she starts her line, instead of having been doing and living right before we come in. Pink's gestures are okay, but they're not really pumping up the performance, they kind of feel thrown in just to have her doing something. Her shoulder and chest are really still. Try using the whole body pose/line of action more to sell the emotions. Head accents could be a little more variable, it's basically all shake shake shake.

-Alonso

Jace Bandalin:

There is a nice interaction between the two characters but the pacing of the actions could have been a bit more diverse.

John T. Coomey:

good job. I don't think you need all the camera changes tho. The one change was enough. Also you got to remember if she lifts or moves an arm or limp then her torso will have some level of involvement and so shouldn't ever stop dead... Nice job tho

Virgil Mihailescu:

I was afraid they're gonna kiss (there are a few girl2girl kisses in the original movie :D ). I think it's because the way the pink girl looks at the green girl. I like the first shot especially, but then the body animation that follows lacks detail, it's not bad, in fact, it's quite all right, it just could be more carefully done, like that hand arranging a loose hair gesture, it's not very accurate. it looks nice to have it in there, but it could be done better. I like the subtle facial expressions. the lipsync is ok, but the mouth movement could be more roundish... add in some jaw, or even mouth up-down-left-right, stuff like that, to give it some asymmetry. I know there is stuff like that on the rig, and it even looks cool ;)

Taber Dunipace:

Very resticted gestures and expressions. They look somewhat robotic. The camera cuts are alright, but they really don't add anything to the piece.

Robert Tighe:

Linear feeling. Move those feet and break up the body.

Mike Courtney:

Both could use more exaggeration. Stagging is alright. Some more anticipation for the hug would have been nice.

Wesley Ferino:

The timing feels too even throughout the piece try favoring some of your poses a bit longer.

Carlos Fins:

I think you could have probably dropped the second character and ommitted the hug at the end.. with those gone, you could drop the camera cut as well.

Kyle Mohr:

Nice job, though I don't think the camera cuts are really helping you though, it's a little confusing. Nice idea to have her hug at the end :)

Eric Stirpe:

Great idea, and a very strong execution, but I feel like there's not enough emotion here though, especially in that hug..

Also, the brushing back of the hair was a great idea, but for something like that you need more finger-movement: it looks like she's using a stiff prosthetic arm for the task..

Erik Griott:

there are a lot of chances for overlapping action, and it didnt seem like you took any of them. it seems like every pose goes into the next, but not interestingly enough.

luis veiga pumar:

feels like the curves are very linear. some poses need to be stronger she feels a bit stiff in her movements. lipsync at the beginning 'i'm living in a town' and at the end 'living a life i' are good, need a little fixing, but the rest is unclear.

Piece good be rather good if it's worked up on.

Christiaan Moleman:

Towards the end the staging kind of makes it look like they're going to make out instead of hug.

Dylan Maxwell:

i like some moments here. The emotions come and go though. Revise that moment before the hug.

Jett Atwood:

Feels floaty and stiff with generic poses. The camera cut is distracting as well.
Think about what the character is *thinking* more than what she is actually saying.