Very slick job here and subtle too which is a big plus for this piece. I do have a slight issue with the acting in that she appears to have very little emotion thoughout the piece and also that most of the time she's talking to nothing in particular, which I've been taught is a bad thing. My advice would be to advance her facial expressions toward more sad as time goes on, and also focus her eyes on something, maybe her hands, or have them dart back once more to the person she's addressing at the beggining.

Once again, very nice work so far.

Hey Eileen!    Wow, this is great!  You've really gotten a handle on the subtle acting stuff.  Your polishing is looking fantastic, too.  Her left shoulder does have a tiny jerk on it near the end, and the hands go dead after a while on the table (excellent hand poses, though!  maybe have her rub her fingers against each other or something), but this is looking really great already.  I think the main issue here is the lipsync, you're nailing the "F" and "V" shapes, but a lot of the vowels aren't working, I think you're going to need wider shapes for the "A" and "I" sounds, and I'm missing the "L" on "live in".  I think another pass with the mouth shapes would really kick this up a notch, but don't lose the great F's and V's you've already got!  I do agree that she should have more purpose in where she's looking, too, I like how she starts off looking at someone, then down at the table while she thinks, but I'm not sure what she's looking at or why at the end. 

Really great job though, looking forward to seeing this finaled!

looking great!
just a suggestion, at the last part where she looks forward in her direction, you could have her look at where she was looking at 2 sec? it feels she is talking to a person in that direction?

Hey really good going
I think  Make your second poses read in an instant I m talking about Silhouette....  and last part acting need punch  It should be more sad give more strong  pose in such way that she  really don't have any wish to live...