good reel , midnight trailer was swweeet ,you had to animate like all the charactors there? really awesome

Great, Stina! One thing I noticed is that on the first shot, when the insane person in the wilderness is turning away from the camera, the whole upper body acts as one stiff unit, with no overlap, and presuming the second shot is also the following scene, you have a slight continuity problem with her movement there, as she stopped moving in the first shot and keeps on moving in the next.
When the monster is slapping its butt, you can do with a little bit more snappy timing in the hands movement.
When the thief is jumping out of the bus, you could also tighten the timing a bit, just one or two frames before and after he grabbed the bar, right now it looks a little bit like under water.
All I could find now, and I guess you already new most of that

Last edited by wolfor (07-25-2012 9:45 am)

Changed it
Don't worry, I had to learn it the hard way. A few things to remember, if don't know that already (if you do, just ignore me ) You can get away with a lot during cuts, don't put anything important in the first 8 frames after the cut as the audience wont be able to read it, try to keep the audience attention on the same screenspace during a cut or the audience must start searching, if you cut over a movement, rewind the movement by about 4 frames, especially if the end of the movement falls in the above mentioned first 8 frames after the cut, don't cut over eyeblinks, and as far as I know its more important to keep the shape of the pose similar during a cut rather than the pose itself (that might sound a bit confusing)