Mark Bogdanoff:

Love the head.

A.J. Black:

Only comment I have is, if I was holding a severed head and it started talking I would drop it immediately and run. These two are showing expressions but seem a little jaded by the dead bodies (I guess they are eating them?) Hope that helps and good luck

Marco Palmieri:

funny end but animation could do with a lot of improvement.

Claudia:

Nice job my friend!

Noah Arntson:

Good. Would score it great if the 2nd speakers lip sync matched better-- I love your cannibal idea.

Jarrod Anderson:

Great work - a couple of things I would look at a little further though. Your first character seems to be thoughtfully chewing on the bone, so having him quickly move into pointing with the bone is a little off putting, perhaps slow it down a little. For the "b-o-d-i-e-s" punchline, it actually took me a couple of watches to work out where the voice was coming from - maybe have where the characters are looking a little more exhaggerated/obvious. Nice effort!

Nate Lane:

haha awesome man. I like the talking head. One thing that I think you could do is make the poses a bit stronger, and push them a little bit. Just a thought :). Keep it up!

Andy Menter:

that was just plain creepy.
that's all i can say...can't even critique it

Ramesh Koruturu:

good but lypsinch is not matching

Eric Huelin:

Why is he spelling? Doesn't seem too impressed with the talking head. Very odd clip.

Mayank:

hahahaa..great work i like the concept and animation also..all the best

Mike Courtney:

the bone comes out of his left hand without it opening

Andy Bewernick:

Funny stuff, could have used a little more work.

Damon Smith:

Fantastic anim on first two guys, but for some reason the head just doesn't seem animated enough. If it was meant as a "surprise" kind of moment, then a greater exaggeration from dead to alive wouldve been good, as well as not changing camera angle just after he starts talking

Ben Hatton:

Cute

Juan Calderon:

nice interesting piece. Good idea.
though there seems to be a need for performance the character seem a little to plain, their performance needs more of a jolt.
here's some tips on how you should approach it, make sure you develop the type of characters you want to p[roject to the audience think about how and what the characters are, how would they react and how they move, sometimes creating characters that are opposite in behavior really helps captivate the audience, it doesn't have to be physically but mentally.. once you develop them and have give them a personality you should approach several thumbnails with key poses and extreme poses, all this will come together in the end, then you want to make separate sketches of the extreme poses and key poses these are the poses you will and should hit when your animating on the computer this is really a easy and fast way of getting to finish your animation. from their on end you start develooping your performance, video tape yourself as well, it helps to

Santiago Montenegro:

good idea!

Ashwani:

nice

James Fearn-Wannan:

This is mostly good .. I think your poses are good but the shifts between them are a bit linear.

Janarthanan:

lags in lip sync..nt at al matching...poses seems to be better..but improve timing..and acting...concentrate on secondary axns..

Lianna Scrimger:

woah morbid 0_0