James Wilson:

the last pose. doest feel right for me. it feels like it colud ground its feet more (plaace both feet on the ground to help sell that last pose

Carlos Fins:

Nice work.. I like the delay on lifting the poison bottle up with the pause before "rewrite" I think during the first line it's one pose too many with the hand, though.

Steve C:

This one looks great. All I would do is take everything you've got and shift it back about 4 frames. That way you're hitting the pose before the line it's corresponding too. Right now it's on or after the line. Try hitting the pose slightly ahead and it'll communicate that much better! Really nice!

sushant:

please don't do that.... .go and search the director...!!

Jon:

Seems like you need some work on the lip sync I love the exspression at the end

Gregory Marlow:

Not bad at all. Need to work on the arcs and smooth some stuff out though.

Nate Lane:

I can't tell if the lower lip hangin out is mistake or his character, because it seems pulled in at the end. I'd try and keep consistent with something like that. otherwise its great man. Keep it up!

Brad Regier:

Interesting interpretation. Good stuff.
Maybe try to call attn to the poison at the end somehow by means of posing and/or timing? I was distracted by the theatrics of the W pose.

Jim Bradrick:

This is very nice, with a gag at the end that works. I would change only the gesture at about 124, on 'music'--I watched it 3 times before I saw he was indicating the stack of paper. Bravo!

dard:

Great secondary actions. I'm just not sure about the gestures from frame 90 to 130. Establishing the direction he's talking to would work better at that point.

Senthilnathan D:

wow .this is really nice.

BrunoDestefani:

Nice interpretation. Good lipsync, but keeping his legs crossed all the time weakens the ending. And the pose on "torn up a huge" is strange. Why look to the side?

rushang:

just lil bit missing......nice and good going

Richard Clark:

Great performance! So far your the only one who has really reflected the right tone of the character.

Jason Par:

character locks up in parts

Jarred de Beer:

Aaah man, lovely gag at the end :D

It seems to me that he's relfecting/talking to himself. From about 86 i'm not sure he needs to move from right to left like that, it makes me feel like he's addressing his words to people outside the shot.

Very nice :)

Sylvain Bernard:

good idea the bottl but i would put less importance on it trough the shot, only at the end it's cool to show it of. I would take ou the action of opening it, and picking up the glass. only hold it like you did and then finish on the same pose, or maybe poor some of it in the glass at the start of the shot, then let our focus on the face

Richard Bannister:

If he didnt gesture and look the opposite way on "music" frm 125 I think this would be great but that lets it down because from that point I am left thinking is he talking to mulitple people? and it brings you out of the moment.

Dave Bolton:

Great motions and feeling, I'd smooth the body to give it a more finish look.