Unhappy Chappy
Comments:
(Commenting only available during the rating period)
Arindam:
SOme timing problem is there----
Good efftort--------
Last part "I can't " onwards you've to work more--------
sushant:
lot of gestures at the end part...seems confusing...!
Carlos Fins:
Wayy too much movement going on during the last night. The first half is great.. it's just too nutty on "rewrite what's perfect."
Steve Brown:
NIce work but maybe a little too over the top on some poses
Jon:
seems like the audio needs to be adjusted 4 or five frames back not in the begining just after "its perfect"
Steve C:
I like this piece a lot. Try hitting, 'I can't' a litle bit earlier, your pose hits it a bit too late. Great work.
Nate Lane:
I think that at "I can't rewrite what's perfect" you animated as if he's yelling, when really he's rather depressed sounding, and wouldn't be as forceful, but much more delicate in this line. otherwise great work man!
Nino:
Cool! Some gestures are a bit off timing.
Julien Abenhaim:
good job, can feel the anger :)
Brad Regier:
Good acting at the beginning!
Best not to start with his hand over his face though...?
Taber Dunipace:
I felt like he was doing a lot of the same gesture over and over, but you've definitely got a high quality piece here. Great job!
Traci Plagmann:
I really like the move on the sigh at the beginning. A couple of the gestures feel a little late to me. I also like the acting choice when he adjusts the two torn pieces of paper when he says "perfect." I think there's too much in the last part - there are so many gestures in that last part I think it would read clearer to simplify those.
Kent Wong:
too much key poses in the end with the right hand. Basic acting and timing is there. Not bad overall.
Pete Shand:
great work! maybe one too many poses at the end
BrunoDestefani:
Some poses are nice, but the left arm is sort of lifeless...should've used it more...and the lipsync needs more work
Dan Dulberger:
I didn't like the uber fast yet precise arm swings, but otherwise nice.
rushang:
good going but very fast movement in that end... improve it becomes good
Jason Par:
Movement too linear
Paul Robbins:
Little too much gesturing for "rewrite what's perfect" but nice subtlety with the moving of the paper.
Erik Westlund:
Big zippy hand movements are cool but the torso needs to shift more... more reversals such as on the phrase, "But is perfect as it is."
Brian Brotherston:
time the gestures better and take some out....a little too much waving around...more still moments contrasted against activity. Silent moments to think.
Good effort ...it is on the way
Jason Smith:
Nice arcing
Thomas Grummt:
love the body and face! (screen)right hand is too stiff, left hand does too much for my taste (too many/big gestures), especially in the second half of the shot
Paulo Clayton:
Lots of life in this character. Some of the gestures don't seem timed quite right enough, or are a bit overdone compared to the tone of the audio. Nice effort nonetheless.
Rob Wilson:
nice, its commin along. It seems that the arm movement right after section (the right arm sweeping to up and out) would make a little more sence if it happened earlier. it seems late to me. after that there are some odd timing issues. the pose where he is leaning to a side, both hands over the table gesturing to the music looks like it would have been good on "its perfect as it is" but it comes durring silence. then at the end the arm is darting all over the place and I would say maybe take it down to one or two poses to focus on.
the motion looks pretty good, its just the timing and the placement of the poses that seems to lack.
otherwise its looking great.
Angelo Collazo:
great! a little choppy! he should look sadder!









Animator: Dave Edwardz
Description: Unhappy Chappy wants sympathy
Experience: Since the dawn of time
Time taken: A week of nights and a weekend