Jeffrey Lee:

Simple and sweet. Start offsetting some things. All the poses start and end at the same time. So for an example, when she turns, maybe the arms goes forward first, then head, then the spines then the root. Also work on your mouth shapes. Cheers and good luck.

snehangshu:

good job..

Barnabas Boehler:

Hey This is looking pretty good, but she definitely hits some walls here and there. Try to make it so part of her body is always given some sign of movement or life....even if it needs to be barely noticeable. Just don't completely freeze her.

Also when she sits, her hands could be delayed so they don't hit at the same time

thomas reardon:

Good start, her center of gravity needs to move and sway for her to look more natural.

Ken Rice:

this is a nice animation - you need to start using moving holds though. Also I found the guy making those tiny moves a bit distracting.

Mark Persson:

Good work and a great idea.... there needs more work on it. It feels small stiff between the movement somehow. Love the touch in the end!

Keep up with the good work!

Cameron Huber:

The timing/beats between the poses feels too even on the girl. I think more anticipations/breakdowns need to be added to her - especially when she first goes to sit down. It's coming along though! nice effort!

David Higgins:

Her poses int he middle section are all evenly timed making it look a bit stilted.

Lavendra Love:

good acting by characters and uses of fingers are impressive background is very dull but good job to see

Raasi N:

Good work.

Andre de Villiers:

Nice! Feels a bit linear, try moving holds on your poses..

Jon Mummery:

It's a little too pose to pose for me, yet you move between the poses well. Try not to hold the poses for too long as it can interupt the flow of the piece as a whole if there are too many stops and starts with the poses. I do like your animation though and shows great promise! Good luck with this one..

Alex:

great poses that seem to underline the dialogue , very nice timing.. the holds are a bit too static,in my opinion, just needs some polish there..

Amdbcg:

the characters were too stiff to feel realistic

Jonathan Asselin:

Ve-ry cool!

I like the attention to details here, but I'm not sure about the end of the movements in general... I think it needs smoothing, the poses are great but we get a feeling of "telegraphy"... You're staging is very good and we get an awesome illusion of thinking from the second character just before he gives her the apple... "should I give it? Or not?" Wow! :D

The only thing on that would maybe to offset that thinking action after she says "to me..." Hold on the crying and THEN the thinking... Oh wait... the sound quote is too tight for that! Oh well, too bad!

Awesome work, keep it up!!! I want to see more! :D

Kay Ma'Ani:

Lip Sync needs work but great effort

Brian Bredehoeft:

Need to work on the lip synch.

Kenny Roy:

Provide more focus for the viewer, bias large pose changes to stronger beats in the dialogue.

Simon Bean:

move through your poses, don't hold them rigidly

Mike Courtney:

nice work overall, work on the girl sitting down

Ben Harper:

The poses are very A to B..you need to put in some arcs and more inbetweens between your key poses.

Lloyd:

Poses work and lipsync is good, but your motions need to be more fluid and overlap some. All I see is full-body keyframed pose - pose - pose.

Sunny Kharbanda:

Angles, Angles, Angles! (Arcs are even better). Anything but straight up-and-down lines of action.

Ashwani:

nice

Sean Burgoon:

What you have is good blocking. I still think you could push for a more interesting interpretation of the shot idea, but it's okay because what you have still works. I would focus on adding more breakdowns, and think about what happens between the poses you have blocked out. Right now you have some good poses, but the transitions between them are a little to fast and linear. Good work though, keep at it!