Yeray Díaz Díaz:

Good job with the acting, a little more fluidity would have added to the job.

Ryan Hagen:

The timing could use some work on this. It feels pretty locked down as well, a step here and there would've helped greatly. I also think you could've sweetened the arcs a bit. Good work.

Adam Levin:

The acting beats are there, and the movement is good, but it seems over acted for such a subtle line. The movement on the words "a life" is far too big, and to camera for the line. She can barely say the words, she wouldn't face us as she says that.

Clayton Miller:

Good job!

Dan Dulberger:

Nice animation, maybe abit exaggerated movements.

Michael Slater:

Cool hand movements and nice anticipation. Very good.

Hector Lopez:

Good piece. Mouth needs a bit more work in some areas. Other than that, it looks good.

Frank Collazo:

good

John T. Coomey:

great job just on comment on the acting. You start off with a nice subtle idea with his head in his hand and then when he lifts his head around "town" things start to move quickly and more broadly which I don't think suits the dialogue. I think the acting choices are good but just too quick and broad... Otherwise really nice stuff

Ryan King:

The body animation is really nice. The left are though when it sweeps around it seems to abruptly stop in one axis before being raised. The left hand slide off of the face is really nice. The face though seems a little busy with the eyebrows. Also there is a small pop in the right arm as the body is anticking before the settle. It is distracting a little.

Aaron Clement:

Good. Ending could be better.

Gregory Marlow:

I like the shake before "a life". Lip sync could be a bit better.

Alonso Soriano:

Decent. Animation motion is working fine. I think you just put too much into this, she's always moving around, it would be stronger and match the voice better if she had fewer poses and worked within them longer.

-Alonso

Christiaan Moleman:

Nice! Maybe a couple too many poses at the end (coulda done without the sigh and shoulder drop). Also the turn away from the camera seems a bit mechanical

Alex Zemke:

Not bad, good timing. There's some twinning in there that's hard to ignore, and I'd realy like to get in closer for such an intimate piece of dialogue, but not bad. Nice polish!

miles southan:

Good ideas, just needs polish.

Virgil Mihailescu:

technique-wise it's not bad. acting-wise... I don't see much going on, it looks sort of vaudeville-ish. grand gestures. at the end of the shot, I think you should clean up the last gesture, on "no wish to live"

Pascal Immerzeel:

Nice accents, good beats! Great work!

Eric Leidenroth:

Watch out for popping on the joints. Looks great otherwise.

Taber Dunipace:

Many of the gestures do no accent the dialog, but rather happen far too soon or too late and distract from the performance. Some actions are a bit violent for the tone of the audio.

Mike Courtney:

"Town" could have been accentuated more in the lip-sync. It looks like an attempt to shift weight was made, but it needs more exaggeration.

Eric Stirpe:

Great body language presented here, and a very real sense of weight, but your lipsyncing could've been stronger.

Erik Griott:

the ending seems too linear. everything is moving at the same time there too

luis veiga pumar:

lipsync is a good start, but needs some work on it.

end body moveemnt is a bit strange, and some poses middle poses to exagerated.

overall needs work.

Dylan Maxwell:

good emotion, there's a strange bump at the end

Han Hu:

Nice poses, but I think it needs more holds.

Peter:

try not to have things move and stop at the same time (those hands on "a LIFE" could be offset a bit) There's also an arm pop at the end "wish to live". I'm guessing you're using Ik hands. Also upper torso, shoulders and head also all move at the same time at the end. Overlap the head a bit.
just my 2 cents. :D

Florent Perrin:

Leave the impression of a constant without any variation. Consequence: lack of life... :)

Eric Scheur:

Really nice acting choices and hand poses. I'm definitely getting weight out of the mechanics, and internal thought. :) I like this a lot!

The face seems a little busy eat times, though, particularly around the eyebrows. It doesn't feel like she goes through that many emotion changes in the dialogue, and typically the eyebrows will reflect that.

Overall, though, very nice work.

Jett Atwood:

The poses feel very generic and busy for a line that is full of internal dialogue and thought. Act it out and then when you block it out, think about poses that show what the character is THINKING more than what she is SAYING.