marta:

i like the acting...that sin it's too much realised

Deanna Bishop:

Good posing. Watch intersctions between the hands and leg around the *gasp*.

Clayton Miller:

Some good poses! Lip sync could use some work though.

DanieleScali:

good acting, but too many fast accent

Kai Huai:

I think the poses looks good. Its just that the timing seems alittle off and the movements are not catching the word she is saying.

Adam Levin:

Good start but it feels incomplete.

Ryan Hobbiebrunken:

Watch out for those transitions! They are too quick for this type attitude. They are bit snappy! The poses are great so just slow it down a bit! Nice work!

Shahbaaz Shah:

Its getting there! Some really good acting choices and pose choices here. Gotta watch that intersecting geometry!

Steve Sloan:

I found the quick animation style didn't match the dialog. I couldn't really feel what the character was feeling. I did like the sigh though.

Brad Bradbury:

this nice, but I think its a bit
snappy from pose to pose for this dialog.

Dan Dulberger:

I like it from the big breath to the end. The start was not as good with the far too snappy arm and hand movements.

Michael Slater:

Very good.

Dwarakanath Jnaneswar Ekkirala:

accent on "town" is a bit too early.. you can scrap one of the gestures from the two on "no" and "live in" in the first phrase. You can probably get your hands together on the Gasp beat.. May be stage the scene so that more of the face is visible? Other than that.. looks pretty good! oh.. body and shoulders are moving at the same time.. you might wanna play with that a bit.. Good luck! Keep rocking!

Frank Collazo:

good effort

Florent Perrin:

Perhaps try to find other ways of transitions between your poses. Your choices are brutal, specially at the beginning. The end works better...
:)

Aaron Clement:

I like the sigh and end poses. Feels very pose to pose, though.

Nicole Blume:

Nice job. I really like the gestures towards the end but the gestures in the beginning seem like they could use some toning down they just seem a little to over the top for this particular audio clip and are a bit distracting and the lip sync could use some work. Overall you did a nice job and with a little more work you'll have a nice shot.

Kyle Mohr:

I like your poses, and the contrasting spine positions. I think the movement might be a little too snappy for this dialogue though. I'm not sure the snappy animation really works for something so thoughtful and serious. It's nice to see that you're aware of somethings like contrasting poses, overshoot, etc. Just try to think about how someone's emotional state effects the speed and way that they move.

Keep it up!

Lauren Wells:

Looking pretty sweet! The last hand pose on her screen left hand feels a little broken to me though.

Traci Plagmann:

Good acting choices.

Gregory Marlow:

too snappy. good poses though

Jace Bandalin:

Nice work here! The transitions between poses happen a little quickly in the beginning, but they are still very clear poses. Nice job!

Alonso Soriano:

really snappy work. You need to be careful not to put to many ideas in, I suggest taking out the pose where she clasps her hands around "no wish to live in" I think the snappiness is interesting, and I think it would work with a different audio clip better, but with this one such a mellow performance it is a tad distracting. If this where a bluesky flick, I think it would come out that you'd smooth it out a little, so keeping your same poses just not so blatantly snapping from 1 to the next, and leave the snappiness only on the big sigh to defeated poses. Interesting approach, well executed in this style I think, just not sure style is totally appropriate for this audio. Watch the pass throughs on the hands.

-Alonso

John T. Coomey:

You've some nice Ideas going on here. the only problems are that you move to quickly between poses but also the pose seem disjointed and dont flow. you need more anticipations (not over the top stuff) to allow the poses to flow into each other better and also don't have all the limps stop and start at the same time. have parts lead the action... once you understand these concepts you'll be in good shape..

Virgil Mihailescu:

wow, zzzzzip, boum! :D hard to comment on this one, looks a bit slide-show (especially feels artificial in the "I have no wish to live in", at the beginning). try adding some details in between those key poses, don't just jump from one key to another. the beauty of animation is in the details, and in the things that happen around a key pose. I like your poses very much though!

Taber Dunipace:

VERY rough animation, shooting from pose to pose in an unnatural manor which is not supported by the audio. Modeling a scene is nice, but it doesn't really add anything to the scene.

Laban:

too snappy 4 da dialouge nice poses though

Robert Tighe:

Pretty nice timing here.

Mike Courtney:

The movements are jerky. Try exaggerating the poses even more.

Christiaan Moleman:

A little too pose-to-pose... try and make it flow more. The poses are good, though.

Carlos Fins:

Good intake of breath.. just needs a bit more polish..

Eileen Kearney:

The snappy animation of her movements is well done. But it just doesn't seem to support the audio clip. For me, her voice sounds too depressed to be making such upbeat actions.

Ryan King:

The posing seems very even to me. The character seems alittle neurotic too. All the posing is realitivly weighted the same. There is no variation in the intensity of the poses. It seems very AFRAID!, GASP!, SAD! Kind of like shatner I suppose. There is no build or decline.

Ryan Malm:

I like the hand/arm movements, but they seem too soon.. like they're a split second ahead of the dialog

Eric Stirpe:

The poses, while all nice, don't really seem to make sense with this scene..the timing is a little bizarre.
Also, I wish she wasn't just sitting there so statically: it seems as though there's only movement here from the waist up, and I would've liked to have seem some of the nice fluid motion you've got applied to the lower body as well.

luis veiga pumar:

beginning pose movement are good but feel like there to snappy for the characters mood, but the second part body movements are better, though it would be better if she slowly get's lower and lower.
Lip sinc needs working on, some parts are clearer than others 'no wish to live in', and the sigh along with the body pause is very good as aticipation.

Erik Griott:

the timing is a little...punchy. and then the sigh is a big ease in. it seems out of place amongst all the prompt activity

Aziz Kocanaogullari:

loved how you pushed the pose right before "a life, i have no wish to live in".

Dylan Maxwell:

cool poses. it's a little snappy.

Peter:

very nice acting and good poses. I just think it's too snappy for this type of dialog.

Jett Atwood:

the poses are actually pretty good if a bit generic, they just pop too hard from pose to pose. It feels like a really solid first pass.