Dwarakanath Jnaneswar Ekkirala:

you could play with head tilts more.. also, some overlapping between neck and head would help.. eye darts could add more life.. but over all, looks pretty decent.. keep going!

marta:

it's a good idea...but, probably, it's to much realistic and with few accents (above all in the second part)

Yeray Díaz Díaz:

Really nice acting, in sync with the type of phrase. The turn could use some polish but great overall job!

Deanna Bishop:

Great work. Minimalist posing and strong facial emotions really seem to work for this dialogue piece.

Clayton Miller:

Good lip sync! Eyes could be pushed more I think.

Adam Levin:

The eye line when she starts the head turn 3/4ths in isn't the same that she ends up with. The rig lacks the subtlety needed for a close up.

Kai Huai:

I think it looks nice and subtle.

Shahbaaz Shah:

Great subtlety. I wish you could see her brows in the playblast, but nothing to really say other than this is great!

Brad Bradbury:

This is really subtle kind of good.

I think the pupils should lead the head turn more right before the blink. Also be careful that her shoulder aren't perfectly the same up down up down the whole time.

Dan Dulberger:

Very nice and natural.

Eric Luhta:

Good job overall on the face, I just think you could have pushed it a lot further. Also the close up shot is kind of hurting thing because its just the head. I feel like we need more info from the body on this line.

Michael Slater:

Good lip sync and use of blinks.

Ozgur Yildirim:

The most believable one here.

Ryan Hagen:

I think you had the right idea with keeping this subtle. I think you could've made it a bit more interesting to watch though. It looks good just needs some "spice".

Ryan King:

It is looking very nice but the one thing that stands out to me is the arms. While they are not whats important to the shot, they are none the less in the shot. A tip someone gave me was to animate to the first joint out of shot. You animate the shoulders cause they are completely visible, but part of the upper arm are visible and we can see the are just sitting there limp. I quick rotation here or there would add that little bit of life. Nothing distracting, just to compliment what the shoulders are doing.

Aaron Clement:

Needs more exaggeration. The direction is good.

Lauren Wells:

Great work, I think you could just exaggerate the facial a little more, especially the brows. Also, it might help to pad the face movements on "Town". Cool!

Gregory Marlow:

very nice!

ArunVijayan:

ok...good...if u put somemore good exp: it will be very cute!!!

Alonso Soriano:

head and body and eyes are working well. Mouth needs a little more contrast wide/narrow, actually the lipsynch looks pretty decent just a little overly wide throughout. Map some eyebrows on her so we can see your work there better.

-Alonso

Jace Bandalin:

Good job!

Ryan:

Nice Execution! Great animation.

Christiaan Moleman:

Really like the eyes in the initial bit but still think you could up the intensity when she looks to screen left.

Alex Zemke:

Good staging! Great work with eye darts and blinks, too! Very simple, understated. Nice choices. A little more polish on that turn, and you're there!

John T. Coomey:

Great Job. Some really nice subtle animation going on. My only issue is that the body(shoulders) seem very stiff. Just because the arms are off screen dosen't mean they aren't doing anything and this move comes thro into the shoulders and torso. You do have shoulder movement but I think abit more thought is required in this area

Gianmichele Mariani:

Not bad. I think you need more polish

Virgil Mihailescu:

wow, excellent acting! simple, but communicating clearly and effectively. the lipsync could look better, it's a little too centered, and the shapes look too generic. I think this shot looks very good - because it's framed well and the body animation is subtle, but especially because the eye animation is very alive and looking great!

P Walters:

Not bad at all. I think the facial expressions could be pushed further. The neck feels a bit stiff. Eye movement looks good.

Taber Dunipace:

One of the stongest pieces represented here. Sublte yet expressive animation and good acting choices. I do wish the acting was a bit more specific. Ask yourself what kind of girl this is, what is it that separates her from every other little girl, and what specifically is she feeling right now?

Robert Tighe:

Nice. More snappy on the accents please.

Mike Courtney:

The eyes snap down unnaturally fast. I'd like to see a full body animation with this. Nice work on the lip-sync.

Kyle Mohr:

I like how you divided the two parts of the dialogue up, with her facing one way during the first part, and turning on the 2nd. Keeps it nice and simple. Don't be afraid to loosen up your animation a little more though, in a shot like this, a few head tilts could really boost her expression.

Good work!

luis veiga pumar:

lipsync is very good, timing is on, some shapes need a bit more to them.

head moves across to straight make more of an arc in its movement. see keith langos triumph de arc notes.

very good though, just some tweaks here and there.

Dylan Maxwell:

i like it, It comes alive at the end. If anything take your eyes to the next level. They're quite strong, capitalize on that.

Peter:

I really like the animation, just really wish she did something with her body and hands as well. Feels like she's tied to a chair or something.
But, aside from that, really good. :)

Jett Atwood:

Not bad. It feels like you could push the acting a bit more, especially at the second major beat as she's realizing she doesn't want to live this life. That's a major turn in thinking for the character and it doesn't seem to come through with the emotional impact it should have.