Matt Hirengen:

the acting isn't very clear, and the end is confusing.

Forrest:

very pose to posey. Little to no overshoot or settling into poses. robotic. try to not fit quite so many ideas into a short period of time and give fewer motions time to breathe

Sunny Kharbanda:

Try doing more with your character's hips, such as weight shifts, and changes in the overall line of action. You'll get a lot more life in you animation

alan:

i don't get the ending but it gave me a good laugh. i think you need some more in betweens the poses. overall, good job

Matthew:

You need to work on story telling with fewer poses. Your poses are good, however.

Also, you should take time for moving holds, overlap, follow-through, arcs, and anticipation.

Erik Griott:

the content makes no sense. the fact that he pokes a mannequin and it flies against the wall at lightning speed really destroys your scene.

David Higgins:

Its a reasonable start but some of the poses don't read well for the dialogue.

Barnabas Boehler:

What? Why does the statue fly off the stand at the end?

Anyways, not too bad. The main thing I noticed was the IK hand

Ben Harper:

Needs a lot of work, The poses just snap into each other, and the timing is very even throughout. Try to accentuate the main poses as he hits key moments in the dialogue.

Martin Silfvast:

the arms has a bit of an IK feeling to them

Rick Benz:

nice though I would like to see more movement on the entire body not just the torso, and whats up with the end?

Jared K:

why does it fly away at the end? I don't get it.

Paul Fuller:

I don't get it. The movements also seem to just go pose to pose with no arcs added in between.

Ashwani:

its me