Erik Griott:

i think the strut character changes emotion too quickly. he doesnt appear to think about being sneaky, he just automatically switches to sneaky mode.

C. J. Cow:

i like it alot, but between frame 130 and 220 the guy in the guy has his arms twinning alot, i dunno if thats necessarily a good thing.

Rich Lauzon:

good

Stephen Kelloway:

risky choice changing the source of a character's voice midway through the dialogue. I don't think it worked.

shamyl:

pretty good but a tad to snappy

Taber Dunipace:

Wrong voice comming from the wrong character at the end! Be CAREFUL about that! It was supposed to be the other person saying that line. Sergio's facial expressions are hard to understand, though ammusing, and confuse me up to the end. The lip sync on Sergio is also a bit off both times he speaks.

P Walters:

Thats pretty decent. The movement's don't quite seem there yet but good blocking and nice work with 2 characters.

Steve Sloan:

haha, Sergio is great, i could see what he was thinking. good job.

Jett Atwood:

The figure in front is really pretty decent. The second guy feels generically posed. Be careful of the twinning of his arms.
Also, it feels a bit of a cheat that the first character delivers the "all done," line since that line belongs to the character in back.

Frank Collazo:

very good job

Virgil Mihailescu:

hahahahaha, nice! someone who had the guts to give the 'all done' line to the right guy, in this scenario. even though the voice belonged to the other guy. the scenario is twisted, but it makes sense in this case - we only have to ignore the timbre of the voice :D so I'd say, great job, for making the shot make sense. the animation could be more polished, but it's looking good, and it reads well.

Missy Feaster:

Nicely animated, but lots of twinning....keep an eye out for that.

Salvador García Luque:

lipsync is laking of realism

Aaron Clement:

I love your staging... The hand on the shoulder is nice... Maybe a little quick with some of the antics, though... I like the ending.

Christopher Lutz:

Good!

Yeray Díaz Díaz:

Nice job, I would suggest a little anticipation on some of the fast movements and some work on the lipsync.

Jan Becher:

Good acting! Especially that the fat character says "all done" and not the hesitant one.

Bilal Ahmad:

good effort man!

Alison K. Sanders:

Very nice stuff, good setup for the dialogue and nice handling of the characters.

Matt Bjerk:

nice poses but timing was erratic

Gregory Marlow:

not bad.

Victor Wong:

Acting for the most part is good, especially on the foreground character. Nice react on the second character near the end. Lip sync needs a little extra work.

Roshan.k:

Alfred got too many twinned poses ..but the animation timing and acting choices are real nice..

David Shum:

Good acting,
I like the camera tuck out when he opens the mail :P

Good stuff here man

You need to work on the lipsync, and also
anticing some of your movements.
Final level of polishing overall is all it needs :P

Jônatas Kerr de Oliveira:

nice work on the guy at right.
but is the final voice right?

Olivier Ladeuix:

the "all done" seem to be coming from the other guy not the same saying "We have to". Other than that good work

David J Harmon:

good one like this one

Max Perelman:

Great work on the expressions and the posing. Could do with a bit of smoothing (esp. on the first--very nice--take from 30-40 and the last at 220-226)

Christiaan Moleman:

You've got some good stuff in there, but there are a couple of issues.

Around 60 you move the head and torso over too fast on the guy and he hits a wall on 65. You need to cushion this. Ease it out. His hand waving gesture just after also seems too abrupt.

I like your "ethical gesture" and the lead into it.

But again too fast on the startled jump. You've got no anticipation and you're making a huge pose change over like 5 frames. Snappy animation is a style that can work great, but you still need to be careful to anticipate and cushion your movements.

The character magically trading voices at the end doesn't really work.

Mike Courtney:

Lip-sync not there yet. There is a pop on the standing character's eyebrows. Good interaction between characters.

Max Herzfeld:

This IS great.
I was captivated by the "strut" character and his sneeking to open the envelope. His whole body seemed to be consentrating inwards and I was drawn into the suspence.
Great job.