J K:

Very Vaudeville-ish ... nice acting though.

Zainab Siddiqui:

Reminds me of the Gollum scene in Lord of the Rings. Love it!

Brandon:

I really liked this. Great blends between the dialog. The sound came across over compressed though..?

Jean-Luc Delhougne:

Nicely done, some good ideas in the poses and timing. Try to refine the arcs in the movements and it will be great !

Mariah:

Nice change in emotions.

David Walz:

good effort

Virgil Tanasa:

nice attempt :)
but still quite a lot of work to do...

Ceno:

good moves man

Taber Dunipace:

I appreciate the good gestures and attitudes but the animation quality still seems shaky. If there were a time for one of those "way too fast to be real" zips from one place to another, this is the time for it!

sean connolly:

really good job overall. the two beats on espionage and murder i wasn't sure about. it might feel more natural if you choose one or the other.

James O'Neill:

I would suggest loosening up the back a bit, it seems a bit robotic. Also offset the arms a few frames, there is some twinning that looks awkward. Some poses are a bit unclear, I would say cute a few poses out and push the facial animation a bit more, or the body acting as well.

Chris de Souza:

This is very interesting. I really like how you've distinguished the two characters with their posture. However as a whole I think it would have been stronger to just use two characters. There really isn't anything in the dialogue that prompts this interpretation.

Lisa Taylor:

I like the idea of it being the same person.

lizzie:

bit over acted.

Ezra Allen:

frame 74 where he says "great" the movements a bit too sharp, soften it up a bit by letting them up a bit more before bringing them down.

132 "espionage and murder" the repeated action on the left arm looks unatural. I would tone this right down.

Nice competent work overall, not sure about the schitz thing. interesting idea though.

Romain Digonnet:

Nice animation. Nice idea.
A little more work on the fingures should improve the animation.

Phillip Johnson:

I really like this idea, very original.
- He locks into poses instead of settling into them tho, looks like stepped keys almost.
- Face needs to move tho, they each have one expression locked on the whole way.

Erik Westlund:

No props, no background, no lighting, all performance. I like it when people cut out the middle man and just focus on performance. Speaking of middlemen, I saw this before and I'm still not sure why a single character is shifting back and forth between to roles while we watch. The poses hit the right moments but don't appear to be informed by and understanding of what the character(s) and thinking and feeling. Try to avoid vaudeville acting choices such as making a phone pantomime with fingers "...call the authorities". Wide open arms on "espionage and murder" appear to be welcoming like a proud father at a wedding and not the result of someone who is threatened with imprisonment. You have to get inside the characters' point of view or state of mind.

Helen Cranston:

The best crazy single man Ive seen this month. Got two different personalities working well

jonas bech:

i think the animation is god but the storey is a bit batty

Bill:

Needs some more polish, but the poses and timing are good.

jeff karagianis:

very clever

Senthilnathan D:

wow. this is very nice....