Brad Bradbury:

check your arcs on your movements. you have some very linear or straight movements.

Matt Hirengen:

good acting, but I'd lose the guy on the right unless you have time to give him a little movement.

Alonso Soriano:

176 he feels off balance, push his butt screen left to counter his torso. I think it might be the model, but the torso feels stiff, I see you moving it, so I think you might really have to exaggerate it to overcome the rigging, also you might try bending it in ways that are unnatural but look fine to get more of the feeling you want from the camera view.
I'd suggest a medium close up, because his feet don't tell us much, and his eyes are so tiny.

Rachel G.:

Very unique storyline, and it's tough to have the character act with only limited hand movements due to bondage, but I think you did a very good job.

Rex Lai:

While your animation is expressive as it is with the hands bound together, the fact that his arms pass through his head distracts from your scene. As well, it often helps to have a rig with bigger eyes so the audience can relate better to the emotion, especially with dialogue animation.I have to say though, your timing is great.

Andrew:

needs more variety in facial expression

Mark Persson:

Good body laguage... the character feels quite alive. Needs some smal polish!

The lipsync and the face expressions needs more work though...

Keep up with the good work!

Lauren Andersson:

more facial movment please, great timing when he stands up.

Ashley Stringer:

really nicely animated, keep up the good work.

well done.

Nicola:

Looking good. Maybe some added work on the legs, because they seem a little bit 'dead' in comparrison with the movements of the upper torso.

Mark Wheeler:

In his anticipation before the stand up, offset some of the motion: one foot leaving the ground before the other showing him lifting into that anticipation pose.

Matt Kelly:

arm popping... the pose of the gunman at the end is weak (no body)

Jonay O. Urbina:

I like the choice of scenario, and the fact that he is wearing handcuffs

Chase Shields:

Looks good. Maybe more spine and body movement to add a little more emotion?

Juan Calderon:

i like how he gets up it shows his anger. I think you might have had something wrong with he spine after he gets up. Don't have him sit down after he's said all these lines, because he's still angry and when you have him sit down, then you kind of take away from his conviction. also the guy on the right is static, don't have characters that are static, because they make the animation seem unreal

Ryan Chan:

looking good.

Andrew Harding:

Interesting concept. The one thing I'd work on the most would be at the end, where your character is threatened with the gun and sits back down - it feels rushed. Maybe he could still be threatened with the gun, but take a more simpler response and exaggerate it.

Salvador García Luque:

really good but I think s the accusing guy who might say the dialogue

rob eddy:

the guy on screen right should move at least a little bit. right now doesnt move at all, which ended up drawing my attention

jonas ekman:

mind collisions, like when he is standing up his arms goes through his body