Matt Hirengen:

nice acting choices.

Jonay O. Urbina:

I really like the second half of it. Maybe the first half is to exaggerated for the tone in the audio

Alonso Soriano:

watch your arcs, feels a little linear

Rachel G.:

You seem to have spent a lot of time on the lipsynch. It is really well done, and the expressions are on point. This is a really solid animation.

Paul Naas:

Animation is very nice. Staging is good. Some of the pose choices seem a bit obvious. The overall quality would benefit from more interesting choices.

douglas anderson:

Very nice emotion, and feeling to the character.

Augusto Goicoechea:

Good acting!

Kensaba:

The end part has "steped" hand movements; I think should be more fluid. Good movements indeed.

rob eddy:

nice, maybe add a little curve to the spine around 124 when he's holding the point. his head is really far forward, think his back would have had to bend a little too

Mark Persson:

Very good anim! Most of it feels great, but the character dosent have that... edge of life. The character still have the feeling of robotic! You need to smoothen things out!

Keep up with the good work!

Anthony Travieso:

cool stuff! I would not bring him back after the first line. He starts off in that first pose says the line and then comes back to that same pose. Try to break that up some how.

Ashley Stringer:

omg this is so good well done

Mark Wheeler:

Some great motion in his arcs, his linear head movement is distracting.

David Shum:

ahhh! its almost there!

frame 123 - that pose looks too goofy, compared to the rest of your shot!

frame 166 - character's RIGHT hand is too limp. Carry that strength thru his whole body!

And do another pass on the first part of your shot.

I really like the power of this shot, its almost there! Keep going!

Juan Calderon:

on frame 126 his neck needs some work, I think his transforms should be near zero.
his performance is getting there, I think the camera movement may take away from his thunder, I know you were trying to make it work with the table, but it, makes me feel like theres someone there yet I don't get to see him this type of camera movement works when you have a movie and were cutting from scene to scene and we the audience are well aware of the characters

Michael Carter:

looks unfinished but very good! I like the secondary action of the chair and cup...

Richard Clark:

Cool. He looks psychotic, got some good energy going.

Martin Silfvast:

Nice, that guy's one the edge. Also neat camera angle.

Shakaib Feroz:

Nice acting. Poses are very expressive and energetic. The hand stretch at frame 125 looks a bit unnatural. Maybe the arm is a bit too straight in that pose.

Great work!!

Igor Medovshikov:

Watch the dead frames!

Ivan:

i like the acting

Salvador García Luque:

Even if I feel the poses are not fluid, they have a very good continuity, and the faces he does are great, the lipsync is excellent too.

Vinod Kanna. K:

Great effort... I just liked the way how you shown the frustration on him...

Chris Sullivan:

The poses are strong, but it seem too robotic.

Giuseppe:

There is a lot of very good Work in here. I found you hit some poses a bit too hard (no overshoot or recoil). But overall, Well Done!

luv2animate:

Love it!!

Andy Bewernick:

There was one point where his head moved reallyl mechanically. Otherwise I just love the facial expressions. Especially the last frame!