mrudulaarun:

It looks like blocking.

Blaine Toderian:

There are some great acting ideas here, but I think the physicality of the scene needs work; things like his walking forward don't seem natural. Also, the composition would be helped greatly by moving to a three-quarter shot of the character, instead of being straight on.

Mark Persson:

Nice work, but it needs some more work!

Sean Thorpe:

Center of Balance...... you can push it but not that much. good effort

rob eddy:

really like what you're doing with the body and hands here. body might be moving too fast over too much distance on the cada cosa part, would be hard to move the much. yeah the hands look really great throughout

Matt Hirengen:

there might be too much gesturing. it clouds the clarity of key poses.

Alonso Soriano:

he feels off balance through the whole thing. Make the torso and pelvis and legs work together as a line of action, that reads well from camera.

Rachel G.:

I really like the facial expressions, but I think the rest of the body movements distract from that. Really nice job here.

Brad Regier:

i like the poses near the end

Andrew:

maybe a bit too much up and down movement

Johnne Tyson:

In every acting class I've had, instructors tell you to NEVER lean forward to get your point across. It diminishes you, makes you smaller and less powerful. That's happening here. Truck in closer to your character and let their face do most of the acting

Ali Tezel:

Simply awesome :D

zach rahman:

where's bloke?

Ashley Stringer:

i can't work out what it is but there is something about it i dont like, i think it might be that character is bent over to far forward and its making him look like he should be falling over.

never the less i still like this animation well done.

Dane Winn:

a bit too lively, and all of the poses feel very big and broad when some of them require to be much smaller at times, listen to the dialogue some more times and record yourself acting it out, how much do you move in 5 frames?

Mark Wheeler:

Work on character’s weight distribution as he moves about, takes steps and goes from pose to pose.

Nicola:

The extreme poses are nice but with the speed and jerkyness of the movements, I keep thinking that he is about to topple over. Good job on the lip sync tho!

Ryan Chan:

You have some great gestures and acting choices in there, but the animation could use more finessing in the the beginning. Keep up the good work though.

Fernando Porcel:

Nice animation.

The arms loks a bit stiff and robotic, perhaps more arc motion on the arms, only a comment. Cheers!

Salvador García Luque:

the poses are weird and very explosives, they are not fluid.

Henning Koczy:

No weight...

Andrew Harding:

You're getting there with this one. Just need to smooth out the poses now, making the movement more fluid.

Sunny Kharbanda:

You've probably heard this critique before, but in case you haven't - tone down the "volume" of the poses. Make the intensity of his poses match that of the dialog, and this piece will look much better!

Jorge Zagatto:

Very good! I really liked the personality you put within.

Rómulo Lazarde:

english lisync

Manjoe Chan:

some of the poses seem a bit repetitive and its a bit distracting the way he lifts his torso up and down.

luv2animate:

a 3/4rth view is better..here the silhouette getting lost!! I like his attitude !!