Brad Bradbury:

The 'toras' gesture is a bit late.

Blaine Toderian:

The acting starts out very naturally. There are some very similar looking gestures in the middle section; by reducing the energy on one, you'll give more importance to the other; use the dialogue inflexion as a guide.

rob eddy:

good stuff, i really like the opening to this. one thing stood out, his eyes really open for the big TODAS but then they dont seem to close much after he returns to his normal volume. makes it feel out of sync, eyes too open for the calmer dialogue

Josh:

its not playing for me...

Matt Hirengen:

good acting. great staging

Martin Silfvast:

Sometimes he's hands comes to an abrupt stop, looks a bit unnatural.

Ashley Stringer:

nice acting, well done

Andrew Harding:

Good effort. The thing that stands out to me is how some of your character's movement stops a bit too abruptly. On frame 116, where he leans back, it seems his head almost comes to a complete stop, not as fluid as some of the other movements. Then frame 130-136 again, too abrupt. Maybe a little more overlap in those areas, and they'd flow better with the rest of his actions. Keep up the good work.

Mark Wheeler:

Work on still posses, portions seem too still or linear: right hand point, head slightly turning toward camera.

Alonso Soriano:

feels like once he picks his hand up he's off balance.
Try putting more of the body into the gestures, not just the arm

Juan Calderon:

in animation a walt disney rule is don't point, use your performance to direct the audience .
The animation at the begining is purty good, but as the audio goes on you notice how the character should build up his anger, so the animation should do that, the character should start getting out his chair and then maybe stretch out a little more, but try to avoid been stationary. It's hard but always try to push the line a little, you'll get there

Salvador García Luque:

the moves are very robotic, but the situation is excellent

Andy Bewernick:

I liked it a lot!