Nick Malutama:

Really really good!

Blaine Toderian:

I found this pretty funny! You've got natural poses; they could be plussed and polished a bit further; move him around so he's not rooted in place. It's good to see pupil animation, but reduce (or remove,) the alternating pattern of dilation though; it looks like he's on an acid trip in some sections. :)

Matt Hirengen:

nice job.

Hernán Bruna:

Cool expressions!

Kensaba:

Avoid twinning on hands.

Jonay O. Urbina:

i think that the sound goes a bit earlier than the image. but i like it

Salvador García Luque:

Tha character doesn't act like the voice does, which is vigorous but slow

Manjoe Chan:

some very nice dynamic poses not too exaggerated. not too sure about the pupil dilation tho. it's kind of distracting.

Corey McDaniel:

Hits all the accents nicely. Good job

Andrew:

curves could use smoothing. not bad though

David Higgins:

I found the forground object very distracting - in fact I found it more interesting than the character - why was it there - it's not like the character interacted with it. The animation wasn't too bad.

rob eddy:

like it, good variety of posses in the face, alternating of dilating pupils in 137-152 is a little distracting though

Ashley Stringer:

really nice touch with making the pupils bigger and smaller, well done

Nicola:

Really nice and smooth. The only thing I can reallly pick at is that his left arm seems a little motionless at the beginning.

Matt Kelly:

whats with the crazy eyes?

Ian Jacobson:

What is that in the left hand corner of the shot?!

Ivan:

i cant realy understand the movement

Alonso Soriano:

having a psychotic episode? the pupils and fidgety hand movements make me think it
turning from addressing us to addressing the side is confusing

Daria Rybakova:

excellent eyes! :)

Dane Winn:

very gd

Martin Silfvast:

On frame 140 it looks likes his pupils are pulsing, looks a bit odd.

Sunny Kharbanda:

Pretty good work on the upper body. I think the spine and hips could be pushed a bit more, to get more natural lines of action in some poses.