Taylor Potts:

Nice work! Straight forward and well animated.
Careful of the elbow intersecting the table. Try an Aim Constraint on the upper arm joint to a locator on the table, or a Point Constraint on the IK elbow control.

Alonso Soriano:

man he looks ugly as a girl :P

Mouth and face and body are all working well movement wise. I think you could have pushed up the acting choices slightly by making a bigger/sharper contrasting physical change to compliment the emotional change.

Chris Welsby:

good work

David Ruzicka:

I like this Justin.

Eric Huang:

Very nice :) !

The lip sync looks a little off at some points, but other than that, very well done!

Tyler Phillips:

Nice subtle acting.

Cole Higgins:

after looking at it for a while it feels even. Theres no contrast in the acting. all the way through shes moving pretty much the same. Save those nice moments for when you really need them. seems like shes moving a lot when she might not need to be like around frame 128. Also if you save some movement it will be more powerful in the end.

Michael Li:

Very good and smooth animation. Personally I think the performance is a bit over dramatic, and her looking stance change around "resist it" didn't seem natural, but that's just me. Great work though!

Aaron Clement:

Not too bad. Felt a little late with the hand to the chest (86).

Yeray Díaz Díaz:

The lipsync is off on the last half.

garvey harris:

yer - excellentn use of the prop - when I used to go to acting classes a suggestion I made that made a lot of sense was that if you were on a bus or a in car and passing by and saw the character acting out the part, without hearing what was being said, how much of the expression and body language tells you what is going on?

I think the key here is resisting, and accusing the other character that they also had a moment of weakness, so far I'm not seeing that being expressed enough

Mike Pinkin:

Aside from the fact that the Max rig looks a bit odd as a woman, the motion is fluid and convincing, and the emotions are captured nicely.

Ezra Allen:

nice very smooth, i think you need a sharp movement in there though its too much of the same pace.

miles southan:

Not bad but there's no rhythm to it. It's middle of the road speed with no major accents (aside from the sniff) the whole time. Otherwise, solid work.

Jarred de Beer:

I like the shrug in her shoulders around frames 170-180, that was nice. it'd be nice to see more emotion coming through her eyes, and more exageration.

Florent Perrin:

perhaps this constant rythm isn't the best choice here.

Christiaan Moleman:

Feels like it's lacking some tension. The movements are a bit soft. Think the shrug might be too big.

James:

Fantastic!

Simon Bean:

Really nice

Mike Courtney:

Near the end the right shoulder does a small circle with no reason for it.

Andrew Stovesand:

Good smooth stuff

Victor Wong:

Head gestures and lips work in sync, in general. More SI/SO needed with the arms.

Phillip Moon:

great work on the face.

Sean Graham:

Yea, this works for me. The only problem I have is the character seems nailed down to the spot. The gestures and acting work nicely. The sweep of the hand across the table might be a little over flourisy for this situation. I might tighten up the ending as she acts through "I bet you there was one" starts to get a little floaty there. But this is pretty darn good.

Taber Dunipace:

Yes! Subtle yet expressive. Nicely done animation and staging. It could use just a little more attention to the animation principals, particularly anticipation and also secondary action, of which I see none. Over all this is very strong and you should be proud! Great job!

Alexis St-Laurent:

THe animation is good, I think it just needs a change of pace during the animation. Just to make sure the whole secene doesn't go all at the same speed.

Gregory Marlow:

good work

Matt Johnson:

Good job. It feels a little like a muppet, but maybe thats the rig.
Dude looks like a lady!

Max Herzfeld:

Good gestures, but you need some rest between them. There's a bit too much constant motion.

Good job,
Max

Bilal Ahmad:

nice effort!