Christopher Sosa:

Good overall action but lots of the poses seem very floaty. It would have helped if you just focused on a few poses rather then a bunch

Micah Betts:

I'm not really feeling the body turning so many times...also the lip-sync, I think her mouth is open too wide for the volume of her voice, and it seems to be moving too often

Jason Pennington:

I see some good poses in there, but overall, there's just too much going on. And her mouth movements are too exaggerated. She'd have to be screaming before her mouth got that wide. I had to dial way back on my own lipsync, because I realized I was animating every single letter of the words, instead of letting them flow together like real lips do. I suspect you might need a bit of the same.

David Atkins:

lip sync is off..

Eric Huang:

The head is going all over the place.... the character lacks focus on where she's trying to say this to.

Chris Welsby:

i think you have too many key poses in here. more holding poses wud help let the emotion in the voice come out in the performance

Tom Law:

The only problem I see is that she's twisting right and left too many times.

Hernán Bruna:

Good animation, the background is too inanimated, i would like to see this finished

Cole Higgins:

animate to the her inner emotions not to the highs and lows of the dialogue. animate from the inside out.

Tyler Phillips:

Needs some more work, but looking good so far.

Aziz Kocanaogullari:

the animation somewhat looks stiff, and to me it seemed like a "2d animation with missing in-betweens". also adding eyebrows could help you get more believability.

Michael Li:

She looks really angry, like she's shouting. That really didn't match the speech I feel.

Aaron Clement:

Okay, good... but why does she move from pose to pose so abruptly.

Ezra Allen:

Not bad nice smooth animation, nice arcs. I think maybe a bit too much movement needed a slower section to emphasize your more dramatic poses. The lip synch seemed a little out. Perhaps if you had her talking to the camera it would have involved the audience more. Nice sniff and I think the point worked well too.

David Humphreys:

Try to tone down your poses a little, you have some good stuff in here but you have way too much going on trying to hit every beat and its not always neccessary.

garvey harris:

yup, seriously strong acting

Jeranimo:

over animated. Not much acting.

Dan Dulberger:

She zips right and left as if it was effortless.

Mark Dickie:

Nice effort but I think it needs more work. I think there is far too much movement, which doesn't give the character a chance to convey much emotion. It could use some more solid poses rather than being so straight ahead.

Bilal Ahmad:

lipsync is quite exaggerated than it should be, good effort overall.

Simon Bean:

ok, here goes... mouth looks like she's shouting, which she's not. poses are a bit over the top for me and not really a convincing bit of acting- bit maniacal! Good try though. Hope this helps :)

Mike Courtney:

With the spine turning so much, there should be a lot more overlapping action in the head and shoulders than shown here.

Andrew Stovesand:

Its working but a bit extreme. The lip sync is distracting

Phillip Moon:

Too much motion. Hard work following the face.

Sean Graham:

Lipsynch is a bit too broad for this character. Somewhat floaty in general. Acting is kind of all over the place, doesn't have a cohesive feel.

Taber Dunipace:

The animation quality is fair, but the acting is all over the place. Try to limit it down to just a few key poses to accent certain parts of the monologue.

Virgil Mihailescu:

not bad, but there's a lot of extra movement, it looks to me like it could have been animated with a lot less. large movements are not a bad thing per se, but in this case they look chaotic, unrefined. the look of your lipsynch needs some improvement, that mouth is reaaally wide, while she's not screaming.

Gregory Marlow:

GAAAAAHHHH! I hate the finger points. everyone has the freaking finger points. think about it. when was the last time you pointed your finger at someone to emphasize something?

Victor Wong:

There's a small volume problem around the hips, as the character moves around. Good timing overall with the gestures and lip sync. Facial expression needs a little work.

Henning Koczy:

Rag doll. Tone it down. Not constant motion, but rather, strong holds.