Jason Pennington:

I like it quite a bit. The poses seem awkward in the beginning, though, when she's walking away from the chair. Like, if I were looking at her from the side, she seems like she'd be falling forward.

David Ruzicka:

Chair is moving by itself.

Tom Law:

This is good, but I feel that the change in poses from frame 130 to 138 is too fast to read.

Kristoffer Clark:

movement is still really pose to pose

Tyler Phillips:

I think this needs smoother transitions. Her head looks like it's tilted a little too far in the beginning. Your getting there.

Cole Higgins:

keep going. Next time really think about poses that she can hit. Right now shes a little floaty. Good effort though.

Aaron Clement:

I like the 'Super Man' pose at the end... as if she's triumphant.

Yeray Díaz Díaz:

Nice, there's some nice posing, but the movements are a little out of control. The last pose might be a little to heroic.

Jamal D. Owens:

I love the ending pose. The only thing I have to say is that the some of the lip sync and certain gestures kinda lag as far as timing. But, good overall. Nice job!

garvey harris:

take that oscar home, well done, this is what I was looking for - when I used to go to acting classes a suggestion I made that made a lot of sense was that if you were on a bus or a in car and passing by and saw the character acting out the part, without hearing what was being said, how much of the expression and body language tells you what is going on?

I think the key here is resisting, and accusing the other character that they also had a moment of weakness, so far I'm not seeing that being expressed enough, and you're the only so far to have come close, well done

Ezra Allen:

frame erm.. 41 it says in the clip thats a very unatural pose, theres a lot of poping going on here.

Michael Richard:

walking forward looks a little odd... she needs to catch her forward momentum w/ maybe another small step... those hips come forward and then stop abruptly.

Mike Courtney:

The hips and wrists are very linear with starts and stops throughout the animation.

James:

I like way you handled the last line of dialogue - really nice pose to finish with :)

Simon Bean:

Nice

Dan Dulberger:

She moves quite jerky.

Victor Wong:

Lip sync so-so at the beginning but gets better at the end. Good gestures and acting.

Erik Griott:

i like how she comes off a little more aggressive at the beginning, then shifts to confident, very nice. but when shes rushing the screen it looks liek shes going to fall over. in case you didnt know, or just need a reminder, a good way to measure the center of gravity is by playing to supersternal notch (pit of the neck) between the feet. granted, when someone is moving that will shift, but you have her stopping immediately, but her upper torso is still lurching forward. the rest looks pretty good.

Phillip Moon:

You can see the defiance at the end, great.

Taber Dunipace:

The animation is a bit rough and needs more anticipations, arcs and follow-through. The acting isn't bad, but it's overly dramatic enough to keep me from believing it.

Sean Graham:

Just needs some clean up, another polish pass and your there. Good work.

Max Herzfeld:

I really like your work at the end when she toughens up.

Keep your focus in mind, she's always looking at the floor or to the side. Make her adress someone.

Some choppy movements but nice posing.

Nice chair roll too.

Keep it up,
Max

Henning Koczy:

Great acting. Just work on your technical stuff--weight, overlapping and arcs--for next time and this will be overall great.

Srikanth:

Needs a lot of work

Bilal Ahmad:

nice effort!