Magic Moment
Comments:
(Commenting only available during the rating period)
Chris Welsby:
The animation is very nice, i do though think that some of the acting choices could be improved. The voice is very sad, but if you watch the piece of animation without any sound it doesnt really convey that emotion. Like i said though the actual animation is looking good, though i would maybe look at working on the last pose a bit. bringing the arm that points up would help it feel a lot stronger. good work tho
Eric Huang:
great! My only crit is that, I don't know where (who?) the character is trying to say this to. The poses also feel a little bit too dramatic for the audio clip.
David Ruzicka:
She moves too much in the beggining
Pedro Lopes:
Great acting but.. why does she point down at the end?
Tyler Phillips:
Nice animation. I think "There's always a moment" pose looked a little off time. Really good job though.
Cole Higgins:
it moves well but the poses are a little too much. She is overreacting and it takes me away from the experience of the scene. Seems just like good movement and not enough raw emotion coming from this character. Just doesnt seems like anyone would act that way.
Aaron Clement:
Just a bit too much pantomime. Could take out half the actions. The last action with the point to the ground felt odd. Oh was she talking to... I wasn't sure. Nice energy.
Yeray Díaz Díaz:
Nice animation! I like the style a lot, the poses are a little exaggerated for the clip but good job. Great lip sync.
garvey harris:
again, animating ability is there, its just downto artistic interpretation - when I used to go to acting classes a suggestion I made that made a lot of sense was that if you were on a bus or a in car and passing by and saw the character acting out the part, without hearing what was being said, how much of the expression and body language tells you what is going on?
I think the key here is resisting, and accusing the other character that they also had a moment of weakness, so far I'm not seeing that being expressed enough
Giorgio Alberto Rodriguez:
there are too meny takes !!! you have to reduce !!!
Ezra Allen:
a few too many poses here I think. I think the gestures are a bit too big, I think the point at the floor at the end is a bit random. The animation is nicely exicuted nice and crisp I just dont think the acting fits with the piece.
C. J. Cow:
great acting! but the last pose where she point downward IMO feels awkward
Dan Dulberger:
Although the animation is nice, imho opinion there are many poses struck too hard, too fast in too little time. Like 3 poses in very rapid succession between 50-100. This makes it kinda jerky which is not pleasant to watch.
Daniel Harriman:
Great effort! Lovely motion although perhaps it was over animated. I think the most powerful part is when she is standing still (from frame 140)
Florent Perrin:
Works wnot bad, but perhaps this kind of audio would deserve something more subtle...
Simon Bean:
Nice, I like the opening but as soon as she steps forward the acting (IMO) is way OTT. It seems done in the style of a shakesperean thesp monologuing. To me, the emotions in the clip didn't really come through here. The lipsync towards the end ("moment" especially) seems to be over enunciated. Hope that helps :) Great effort
Mike Courtney:
There should be more overlapping motion in the head and arms when the main body goes up and down.
miles southan:
Nice work! The hips feel a bit stiff though, especially in the beginning. The first "moment" seems a little late. The intensity on that seems right but then it gets muddied by all of the similarly dramatic gestures that directly follow. It's nice at the end when you rein it in but I think it could use a little more restraint in the middle too.
Renzo Biffa E.:
good facial expressions, body movement, good contrast between both, very god job.
Eric Kramp:
I like the ending pose a lot, but the rest of it doesn't really quite sync up
Felix:
starts good then looses tention, expressions are too steady and static. animation is good, needs more animation in the hand, especially at the end.
Erik Griott:
wow, very nice..
Taber Dunipace:
This is a nice animation but I need a little rest space in here somewhere. The character almost never pauses until the end. The acting is kind of all over the place, but it almost doesn't seem overbearing.
Sean Graham:
Nice fluid movement, clear staging and good silhouette, facial animation's good. The only thing for me that's missing is that the timing's a little awkward as it relates to the dialogue and the poses are fairly ambiguous and 'showy'. Made me think of Shatner. But it has a nice finished quality to it and overall it's well done.
Virgil Mihailescu:
not bad, but a little bit overanimated. I think those kind of wide gestures work better in 2d & super-toon wacky stuff, not in this context.
Alexis St-Laurent:
Animation is good, but the character does the same move almost all the time.... a little change would be fresh.
Gregory Marlow:
alright. Could use to clarify some poses though
Alonso Soriano:
too much. The movement looks really nice, nice unitedness in how limbs affect the torso and vice versa. It's a little pose to pose-y. Mouth is very poppy. Try choosing fewer poses and selling them longer and stronger
Victor Wong:
There's good timing in the overall gestures, but the beginning seems a bit off in that the gestures seem to emphasize the wrong syllables. Apart from that though, it's nice work.
Matt Johnson:
Liked it alot - the acting and action worked well at the points in the audio. Not to big on the finger point at the end.
Henning Koczy:
Little too much. Great facial though.
Robert Tighe:
ohhh I like this one. Nice timing. Pretty decent posing as well. Keep up the good work!
Bilal Ahmad:
nice effort!
Matt Garward:
Really nice work on the lipsync.









Animator: Crystal Sing
Description: I decided to go with some broader actions :)
Experience: 1 year
Time taken: 10 hours