C. J. Cow:

i wish the camera was closer so i could see better

Micah Betts:

need to add anticipation and follow through on her movements. The guy in the chair is floating downward for the middle segment almost like he's falling asleep.

The part where she turns her feet at the beginning needs to be smoother

Chris Welsby:

i think you need to work on finding good strong key poses, and think about how the pose is framed in the shot. I also think if you looked at some of the curves it would be possible to smooth out some of the movements. a lof of nice stuff in there tho

David Ruzicka:

Did she just flick him off!

Tom Law:

Not bad, but it's a little jerky at some moments

Kristoffer Clark:

The movements are too stiff

Tyler Phillips:

I think this needs smoother transitions between the poses, though it's a good start.

Cole Higgins:

a little to jerky not to notice. Work on your physical animations. like running, walking and so forth. mostly weight issues.

Aaron Clement:

I'm guessing your new to animation. The robot is good how he doesn't move that much. That's good acting. Our eye is drawn to the girl because of the movement. You just need to focus on your body mechanics more... tone things down... don't have the movements jerky and random. Focus on creating story telling poses... if this is your first animation then good job.

David Humphreys:

you need to spend more time on this.

it looks as if you have just finished blocking and added in some inbetweens. there is some good stuff in there, your staging is also nice and clear. You just need to spend more time on it.

garvey harris:

was strong then got weak about the 'i can resist it' segment, but wicked potential, great body language, couldn;t see any facial expressions properly

Ezra Allen:

needs more work. theres a lot of glitches here.

Dan Dulberger:

Quite stiff and twitchy.

Bilal Ahmad:

good effort man!

Simon Bean:

Needs a lot of polish to stand up to the rest of the clips here. Plenty of room for improvement

Mike Courtney:

Right foot slaps down to the floor on the girl. Movements are jerky overall on the girl. Very linear on the sitting man.

Victor Wong:

Timing of the gestures is a little off, and more SI/SO is needed. Lip sync is good.

Felix:

nice expressions, sometimes, but animation is too static. try to use follow trough for the arms, more plevis animation, more hand animation...

Phillip Moon:

Too much body motion. Seems more puppet like.

Sean Graham:

Lotta pops. This one gets cleaned up and it'll start to really gel.

Taber Dunipace:

The poses are linearly inbetweened and need a lot of polish. Keep working at this and try to implement the animation principals.

Michael Richard:

The framing is odd. You could have done away with Hogan, or just have an arm/shoulder and part of the head visable, pushing the girl into the center of the frame. She's overacting, and never moves her feet, except for at the beginning.

Gregory Marlow:

AHHHHH!!! CURSED FINGER POINT. I hate the finger point. everyone is doing it. And no one ever does it in real life.

Christiaan Moleman:

Some of the turning on the body feels a bit jerky. The "I don't know what your moment was" gestures feels a little slow and the "I bet you" gesture a bit late.