Renaud Déchaux:

The animation is good, but the poses aren't enough

Justin Weg:

upperbody doesnt move enough

Taylor Potts:

There is some nice overlapping action here, however the COG never moves and it is usually the initiating force beind self-directed character movement.

Chris Welsby:

i'm not sure that the adcting choices you have made really convey the dialogue.

David Ruzicka:

The hands rotate a lot.

Roger Feron:

Hands too random. Nice sniff animation. Body too stiff.

Tyler Phillips:

The hands could hold their position now and then. Other than that it looks pretty good.

Cole Higgins:

character is not interacting with the audience. Also theres no real emotions that are being portrayed here. think about what the character is thinking and work from the inside out.

Aaron Clement:

Too floaty. A bit cliche at the end, too. Felt like her body needed to more around more... don't lock her off in one place, even a little bit of movement can make a big difference... subtle movement can really help.

P Walters:

The movement is a bit odd. character looks good. motion is pretty smooth. Maybe think about the acting choices a bit more.

David Humphreys:

Some floaty movements and your camera angle dosent help with the twinning your getting.

That last pose could benefit from a bit more snap to it aswell.

Dan Dulberger:

Looks quite hard to get that character to look sad!? She should look at whomever she's talking to atleast once more in the clip I think. For example when she says "you're moment". More would be better since she's trying to get the other person to understand her feelings. Eyes and face communicate alot of feeling. The torso could've moved abit more and varied.

Ezra Allen:

some interesting hand moves here. youneed to get some movement in that body, the character is mostly very straight which makes her seem detached from what shes saying she needs to lean into some of those expressions to give it some passion.

Ricardo Vicens:

My main comment would be to definitely add movement to the hips. There are moments where you are making pretty big moves in the arms and upper body but the hips just don't budge. Try to always think about that the hips drive and there is usually some hip movement.

garvey harris:

body language and facial expression needed to be way stronger, but nice work

Jeranimo:

Vivian Nikolich:

Just a few quick comments:
Both hands seem twisted backwards half the time (the fingers bend too far backwards).
Also, the last pose doesn't seem to fit with the dialogue.

Florent Perrin:

Weird acting choices. Perhaps a little bit more preparation before animation?

Mike Courtney:

The hips are stationary, and the lip-sync seems to be off at points. The arms look alright.

Simon Bean:

I think everyone that's picked the Moom rig has had their work cut out because it's that bit harder to translate the emotion needed in this clip. Some nice smooth animation, but also some over un-convincing poses. Hope that helps :)

Felix:

hmmm.... i couldn't get any relation of the expression of the character to the mood of his voice. Animation is almost only in the hands and in the mouth. no plevis animation no posing at all. hmmm ... much room for improvement.

Victor Wong:

More SI/SO needed in the arm gestures. Good shrug happening with the sob, and facial expression could stand a bit more work.

Matt Morris:

arms too busy

Taber Dunipace:

Wow ok, lots of spastic things happening with the hands and arms. The poses seem to be sort of bland and the animation is all over the place. Spend more time planning out the animation.

Phillip Moon:

Liked the body acting, and the face work was good.

Christiaan Moleman:

You need to move the hips. Even if you're not doing an overt weight shift, the body still responds as a whole to *any* movement.

Gregory Marlow:

too much overlap on the hands.

Matt Johnson:

Good effort - not quite sure what you were going for there though.

Bilal Ahmad:

nice effort!