Neil Polenske:

Definitely have to give props for attempting to make a humorous scene from decidely non-humorous dialogue. More props for actually pulling it off. :)

Eric Huang:

Haha! Great idea. I really think you could hold the poses more. The lip sync is off, this could help: http://www.keithlango.com/tutorials/old/lipSync.htm

Tyler Phillips:

That's really funny. I like that she backs up from her "moment" and the tear was nice, though it bothered me when she moves during the "...resist" part. It looked a little fast and frantic. Her hand rubbing her belly was nicely done.

Chris Welsby:

i thin you need to use some holding oses instead of having the character moving as much as she is

David Humphreys:

Good work, you need to look at the curve editor A bit more and hold your poses a lot better. there is a wavyness to your motions.

A good idea but you need to show that the burger is more of a temptation.

David Ruzicka:

I like the idea.

Tom Law:

This is my animation... hurray!

Kristoffer Clark:

funny premise. The animation needs more work

Micah Betts:

Pretty good, I think the feet/knees may be a little to spread out, doesn't seem to support the character's balance very well

Cole Higgins:

you need more work on your weight and physical acting. Shes off balance and her poses are a little odd. do lots of walk and run cycles.

Michael Li:

I love the idea behind this one. The animation also looked very natural, except maybe her right arm was a bit too rigid in the first half.

Aaron Clement:

Felt a little wiggly to me... I like the hamburger... looks very inviting!

P Walters:

Nice concept!

garvey harris:

yer - excellentn use of the prop - when I used to go to acting classes a suggestion I made that made a lot of sense was that if you were on a bus or a in car and passing by and saw the character acting out the part, without hearing what was being said, how much of the expression and body language tells you what is going on?

I think the key here is resisting, and accusing the other character that they also had a moment of weakness, so far I'm not seeing that being expressed enough

Ezra Allen:

Shes going to fall over on that last pose. Theres a lot of twitching on those legs maybe putting some steps in there would have helped you reach some of those poses more easily

Michael Richard:

I like the originality. Watch the feet planting, and staying planted. And try to get in fewer major poses, she looks floaty.

Mike Courtney:

People normally don't stand with their feet perpendicular to each other. The wrists become stationary in the world at some points.

Simon Bean:

interesting treatment

Dan Dulberger:

First 60 frames the hips are too still, then she starts shaking them like there's no tomorrow. Fix that and it would've looked loads better.

Renzo Biffa E.:

the context of the speech, was a good idea.

Victor Wong:

Lip sync is OK. More SI/SO is needed in movements in general.

Felix:

nice, but i did't like it so much... the characters motions were a bit to static

Erik Griott:

i like the originality of this piece. her hands seem a little busy though. also her knees shake and pop.

Taber Dunipace:

Lots of little animation pops and glitches left to clean up. The legs and feet move a lot. The acting is very hard to read even though I get the concept. More observance of fundamentals.

Virgil Mihailescu:

is she talking about her... moment...?

Sean Graham:

Funny idea! The biggest thing for me that can be done to get this to the next level is to hit your poses and work within them a little more. There's a lot of body, head, and arm motion that keeps moving all over and it makes it really hard to read the nuances of the performance.

Gregory Marlow:

very fidgety so none of the poses were reading very clearly.

Alonso Soriano:

not feeling the weight at all. the line doesn't work with the joke in the 2nd half, who is she talking to? herself, the burger? a lot of the movement doesn't seem to have a reason for it

Max Herzfeld:

Nice facials, and great improvment with the motion flow. Keep working on bolder possitioning, while keeping them natural.

Love the drooling look at the end.
Max

Henning Koczy:

Love the character. Everythings moving all the time, hit some strong poses and hold 'em.

Robert Tighe:

This cracks me up. Nice use of a prop.

Bilal Ahmad:

nice effort!